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The Sri Sakhi atelier, with fabric and an embroidery frame in soft daylight

Our Atelier

Everything you wear was made a few steps from where it was drawn.

Cutting, stitching, embroidery and finishing happen in one room. It is slower than sending work out — and it is the only way we can promise a hem was checked twice.

Seven rooms, one roof

How a Sri Sakhi piece is made.

Fabric selection

01

Fabric selection

Rolls are chosen in daylight, never under studio lamps. A colour that reads beautifully at 4pm can be a different colour entirely at noon.

Sketching

02

Sketching

The silhouette is drawn against real measurements before anything is cut. Most designs change twice at this stage, which is far cheaper than changing them later.

Pattern preparation

03

Pattern preparation

A cotton toile is made and thrown away. It exists only to prove the pattern before expensive cloth is touched.

Tailoring

04

Tailoring

Construction is where a garment earns its comfort. Canvassed bodices, side-seam closures, hems weighted so they fall back into place.

Embroidery

05

Embroidery

The frame is set once and does not move until the work is finished. Density is checked in daylight every third day.

Finishing

06

Finishing

Hand-rolled hems, covered plackets, concealed hooks. Three days of work that nobody photographs.

Quality checking

07

Quality checking

Every piece is checked twice — once by the tailor who made it, and once by someone who did not.

Visit

You are welcome to see it.

Most clients come to the atelier at least once. It is the quickest way to understand why a commission takes eleven weeks — and the difference between a fabric described and a fabric held.

Inside the Sri Sakhi atelier
Inside the Sri Sakhi atelier
Inside the Sri Sakhi atelier
Inside the Sri Sakhi atelier

Sri Sakhi Couture, Road No. 12, Banjara Hills, Hyderabad, Telangana 500034